Surfacing Plot Overview: Margaret Atwood


Plot Overview



The narrator convinces her friends to accompany her on a camping trip to see the wall paintings. On their way to the campsite, they see a decomposing blue heron that has been hanged from a tree. David insists on filming the dead heron for a movie he is making called Random Samples. The heron’s death haunts the narrator. She sees evidence of two campers entering the area beforehand, and she quickly assumes that they are Americans and to blame for the crime. Meanwhile, the four companions set up camp. Anna tells the narrator she has forgotten her makeup and David will punish her. The narrator goes fishing with David and Joe. They encounter the Americans, and the narrator notices an American flag on their boat. The narrator brings her companions to a site from her father’s map, but there are no wall paintings. Frustrated and confused, they return to camp. On the way, they again encounter the American campers. The narrator is surprised to discover that the campers are actually Canadian; what she had thought was an American flag is actually a sticker. However, the narrator claims the campers are still Americans because their slaughter of the heron is a distinctly American action.
The four return to the cabin. The narrator locates another site on her father’s map but realizes that the government has raised the water level in this part of the lake. She will have to dive to see the paintings. Outside, the narrator observes David tormenting Anna by insisting she take off her clothes forRandom Samples. Anna eventually relents but then feels humiliated. The narrator asks David why he tortures Anna, and David claims he does so because Anna cheats on him. The narrator canoes to a site from her father’s map. She dives repeatedly in search of the paintings. On a particularly deep dive, she sees a disturbing object and screams and swims for the surface. Joe has followed her onto the lake and demands to know what she’s doing. She ignores Joe and realizes that what she saw was a dead child. She believes it to be her aborted baby. She changes her story from leaving her husband and child to having an affair with her art professor and being forced to abort their baby.
The narrator’s vision throws her into a psychosis. She believes that her father had found sacred Indian sites and resolves to thank the gods for granting her “the power.” Joe tries to speak to the narrator, but she remains impenetrable. He tries to rape her, but he leaves her alone once she warns him that she will get pregnant. Later, David tries to seduce the narrator, telling her that Joe and Anna are having sex. The narrator nevertheless resists David’s advances. A police boat comes to the island, and David tells the narrator that the police have found her father’s body. Deep in her madness, the narrator refuses to believe David. That night, she seduces Joe so she can get pregnant. She feels that a new child will replace her lost baby. Joe falsely believes that the narrator has forgiven him for cheating on her.
On their last day on the island, the narrator abandons her friends. She destroys David’s film and escapes in a canoe. The narrator’s companions search in vain for her, eventually leaving the island. Alone on the island, the narrator falls deeper into madness. She destroys the art from her job and nearly everything inside the cabin. She becomes an animal, running around naked, eating unwashed plants, and living in a burrow. She imagines raising her baby outdoors and never teaching it language. She also has visions of her parents. Eventually, hunger and exhaustion bring the narrator to sanity. She looks at herself in the mirror and sees just a natural woman. She resolves not to feel powerless anymore. Paul arrives at the island with Joe. The narrator realizes she loves Joe and resolves to reunite with him. She pauses in the cabin, looking out at Joe, waiting.
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